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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Who decides?

Newcomers we were to this survival game, to this locale, to this one-room setting, to this downslide, to this helplessness. We were new at sawi...

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Sabir Masani ki Ajeeb Daastan

Meet a film writer who has been denied his just dues and name in the credits

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Cannibal On The Run

This new John Sandford book, Neon Prey, 29th in his bestselling Prey series, is not for the squeamish, featuring as it does, a cannibal as the ...

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India’s Foreign Policy lacks substantial gains; requires Reprioritization

When historians look back at this time they will say that India was at the cusp of greatness. A high demographi...

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13 Reasons Why: Of Polaroids, Phantoms and a Pending Verdict

The verdict is pending. Does Hannah get justice? Well, you have to see to come to know about it. The series tha...

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All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

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Gutsy Women in Bollywood are Changing People’s Outlook

Women in Bollywood are game changers in reel and real life both. They are an inspiration to every other woman out there. Not only do they ig...

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